Production / AD

Schedule

Open each shoot day for its current scenes, cast, locations, elements and review needs.

10 shoot days

Production calendar

August 17-28, with August 22-23 protected off.

August 2026

  1. Shoot Day 1 - Sam's House / Rule family8 scenes - 9 3/8 est. pages
  2. Shoot Day 2 - Tillies3 scenes - 8 1/8 est. pages
  3. Shoot Day 3 - Pitt Mining9 scenes - 9 3/8 est. pages
  4. Shoot Day 4 - Roads / vehicles / Red Roof / montage12 scenes - 9 5/8 est. pages
  5. Shoot Day 5 - Claim Camp - block A6 scenes - 8 1/4 est. pages
  6. Off / RestProtected weekend off
  7. Off / RestProtected weekend off
  8. Shoot Day 6 - Claim Camp - block B6 scenes - 9 3/8 est. pages
  9. Shoot Day 7 - Claim Camp - block C6 scenes - 2 1/2 est. pages
  10. Shoot Day 8 - Woods / Bad Bush7 scenes - 5 1/4 est. pages
  11. Shoot Day 9 - Field / woods pickups6 scenes - 2 5/8 est. pages
  12. Shoot Day 10 - River / Moraine Trail8 scenes - 6 3/8 est. pages
Shoot Day 1Mon Aug 17

Sam's House / Rule family

Monday, August 17, 2026 - 8 scenes - 9 3/8 estimated script pages

What we are filming

Cover the current Wil-rewrite material grouped around Sam's House / Rule family. All scene units below come from SCR-004.

Scenes and production details

Scenes filming today

  1. U001EXT. SAM'S HOUSE - DAY

    Jessica teaches nine-year-old Grace safe claim-staking basics in the yard, warns her about bush hazards, and takes her inside as the title appears.

  2. U017EXT. SAM'S HOUSE - NIGHT

    An intoxicated Pete, Billy and Chris arrive at Sam's house, prank the FrenchMobile, and are stopped by Sam before going inside.

  3. U018INT. SAM'S HOUSE - NIGHT

    Sam gives Pete his pay, confronts him about drinking and driving, and refuses to use his friendship with James Pitt to secure the large contract.

  4. U019EXT. SAM'S HOUSE - NIGHT

    Pete chooses the truck over the prepared spare room and settles down to sleep across the bench seat.

  5. U020EXT. SAM'S HOUSE - STILL NIGHT

    Pete wakes at 4 a.m., strips the bar from a chainsaw, and uses it to start the truck while the FrenchMobile's interior light comes on.

  6. U028EXT. SAM'S HOUSE - DAY

    Pete returns to Sam's house as Gabe leaves; the two exchange tense nods while Sam watches from the doorway.

  7. U029INT. SAM'S HOUSE - DAY

    Pete admits he has only Billy and Chris for the job; Sam reveals that he has already secured himself, Gabe, Jessica and camp support, while Jessica and Grace leave for supplies.

  8. U031EXT. SAM'S HOUSE - NIGHT

    A quiet night exterior at Sam's house provides the calm-before-the-storm transition.

Day strategy

First-pass schedule from Wil's partial draft; AD to verify page eighths, availability, company moves, daylight and weather cover.

Production considerations

Decisions and preparations that need an owner before this shoot day.

AD review
Safety and logistics
  • Current cuesalcohol and driving discussion; chainsaw used as improvised starter; controlled tool blocking; darkness; door prank; driveway vehicle movement; intoxicated movement; minor; minor handling hatchet; night exterior; production-account continuity; raised voices in sleeping house; sleeping in vehicle; vehicle arrival; vehicle departure; vehicle operation; wooded yard
  • Schedule verificationConfirm cast availability, address, company moves, daylight, weather cover and call times.
Shoot Day 2Tue Aug 18

Tillies

Tuesday, August 18, 2026 - 3 scenes - 8 1/8 estimated script pages

What we are filming

Cover the current Wil-rewrite material grouped around Tillies. All scene units below come from SCR-004.

Scenes and production details

Scenes filming today

  1. U015EXT. TILLIES BAR - NIGHT

    Pete arrives at Tillies at night.

  2. U016INT. TILLIES BAR - NIGHT

    At Tillies, Pete drinks with Billy, Chris and Susie, confronts rival Vincent, and accepts Frederick's three-hundred-dollar bet that Pete cannot win the large tender.

  3. U027INT. TILLIES - DAY

    Pete uses Tillies' rotary phone to recruit a crew, but Joe, Omer and Frank each refuse him for different personal reasons.

Setups
Tillies
Vehicles
Pete's truck
Day strategy

First-pass schedule from Wil's partial draft; AD to verify page eighths, availability, company moves, daylight and weather cover.

Production considerations

Decisions and preparations that need an owner before this shoot day.

AD review
Safety and logistics
  • Current cuesalcohol; bar arrival; bar background; night exterior; phone voice recording; slurs and language review; staged confrontation; threatened fight
  • Schedule verificationConfirm cast availability, address, company moves, daylight, weather cover and call times.
Shoot Day 3Wed Aug 19

Pitt Mining

Wednesday, August 19, 2026 - 9 scenes - 9 3/8 estimated script pages

What we are filming

Cover the current Wil-rewrite material grouped around Pitt Mining. All scene units below come from SCR-004.

Scenes and production details

Scenes filming today

  1. U007EXT. PITT MINING AND EXPLORATION - DAY

    Pete nearly collides with a fast blue car at Pitt Mining, parks among newer vehicles, and steels himself before going inside.

  2. U008INT. PITT MINING - DAY

    Pete turns in claim tags to Cecile, asks about the large tender, and waits while Marge is asked to print the missing form.

  3. U009EXT. PITT MINING GARAGE - DAY

    Pete asks mechanic Wil for an hour in Pitt's garage, but Wil refuses because the corporate owners now monitor shop use.

  4. U010EXT. PITT MINING OFFICE PARKING LOT - DAY

    Pete again fails to start his truck in the Pitt Mining parking lot.

  5. U022EXT. PITT MINING OFFICE PARKING LOT

    Pete parks his battered truck beside a fancy car and a large Cadillac already at Pitt Mining.

  6. U023INT. MINE OFFICE - DAY

    James Pitt warmly greets Pete in the mine office and takes him aside to discuss work.

  7. U024INT. JAMES PITT'S OFFICE - DAY

    Pete asks James for a chance at the large tender; Frederick joins them and agrees to give Pete a difficult qualifying job first.

  8. U025INT. FREDERICK'S OFFICE - DAY

    Frederick cuts the qualifying-job rates and finder terms, challenges Pete's experience, and gets him to sign while reaffirming their bet.

  9. U026EXT. MINE OFFICE - DAY

    Pete starts his truck with a chainsaw in the increasingly busy mine-office parking lot.

Day strategy

First-pass schedule from Wil's partial draft; AD to verify page eighths, availability, company moves, daylight and weather cover.

Production considerations

Decisions and preparations that need an owner before this shoot day.

AD review
Safety and logistics
  • Current cuesactive garage; chainsaw used as improvised starter; contract and company graphics clearance; form and graphics clearance; gate traffic; heavy equipment background; loose can in footwell; office background; office crowd and background performers; parking-lot control; parking-lot vehicle movement; vehicle near miss; vehicle start
  • Schedule verificationConfirm cast availability, address, company moves, daylight, weather cover and call times.
Shoot Day 4Thu Aug 20

Roads / vehicles / Red Roof / montage

Thursday, August 20, 2026 - 12 scenes - 9 5/8 estimated script pages

What we are filming

Cover the current Wil-rewrite material grouped around Roads / vehicles / Red Roof / montage. All scene units below come from SCR-004.

Scenes and production details

Scenes filming today

  1. U004EXT. WOODS - NEAR THE TRUCK

    Pete returns to the battered family work truck, notices the fading company decal, loads his gear, and climbs into the hot cab.

  2. U005INT. PETE'S TRUCK - DAY

    Pete drinks a beer in the truck, reports the completed work to Sam by radio, struggles with the starter, and rejects Sam's chainsaw-start instructions.

  3. U006EXT. ROAD / INT. PETE'S TRUCK - DAY

    Pete drives past the stranded FrenchMobile, refusing to help Pierre and Jacques as they react in French from the roadside.

  4. U011EXT. SIDE OF THE HIGHWAY - DAY

    Pierre and Jacques cannot restart the FrenchMobile, then spot Sam's approaching truck and wave him down for help.

  5. U012INT. SAM'S TRUCK - DAY

    Sam pulls his tidy work truck over after seeing the stranded travellers.

  6. U013EXT. ROAD SHOULDER - DAY

    Sam and Jacques bridge the language gap, diagnose the FrenchMobile, and arrange to tow Pierre and Jacques to Sam's house.

  7. U014EXT. ROAD - DAY

    Sam's truck tows the FrenchMobile down the highway toward his house.

  8. U021INT. TRUCK - MORNING

    Pete drives toward Pitt Mining with the rising sun in his eyes.

  9. U030UNHEADED MONTAGE - MULTIPLE LOCATIONS

    A multi-location preparation montage shows the team buying food, loading tools and tents, launching Gabe's canoe, and Frederick calling Vincent while Pete sleeps in his truck.

  10. U032EXT. THE RED ROOF INN - MORNING

    Before sunrise at the Red Roof Inn, the full convoy assembles; Pierre distributes snacks, Pete hands him a radio, and the group departs.

  11. U033EXT. ROAD - TRIP!

    The convoy's different vehicle groups travel through the road trip while Sam, Susie and Jessica tease Pete over the radio.

  12. U034EXT. ROAD TRIP - DAY

    The convoy continues beyond civilization into the remote woods.

Day strategy

First-pass schedule from Wil's partial draft; AD to verify page eighths, availability, company moves, daylight and weather cover.

Production considerations

Decisions and preparations that need an owner before this shoot day.

AD review
Safety and logistics
  • Current cuesFrench language; alcohol with vehicle; approaching vehicle; axes and chainsaws; canoe and water; convoy control; driver radio use; driving; fuel; heat; heavy loading; live traffic; minor; montage music clearance; moving convoy; moving tow; moving vehicle; moving vehicles; open alcohol container; pre-dawn vehicle movement; remote road; road control; road shoulder; roadside actors; roadside breakdown; roadside stop; smoking; song and playback clearance; stationary vehicle operation; sun glare; tow rigging; towing setup; traffic control; vehicle loading; wooded pullout
  • Schedule verificationConfirm cast availability, address, company moves, daylight, weather cover and call times.
Shoot Day 5Fri Aug 21

Claim Camp - block A

Friday, August 21, 2026 - 6 scenes - 8 1/4 estimated script pages

What we are filming

Cover the current Wil-rewrite material grouped around Claim Camp - block A. All scene units below come from SCR-004.

Scenes and production details

Scenes filming today

  1. U035EXT. CAMPSIGHT - DAY

    At the claim clearing, Pete maps the work area and the entire crew builds the mess tent, sleeping areas, kitchen and food-storage system before nightfall.

  2. U036INT. MESS TENT - NIGHT

    Over dinner, Pete assigns work pairs, revises them after crew objections, uses Jessica to bridge French, and ends with four field teams for the next day.

  3. U037EXT. CAMPSIGHT - NIGHT

    Outside camp, Pete prays alone until Jessica joins him, encourages him, mentions Jen, and reminds him that Grace stayed home.

  4. U038EXT. CAMPSIGHT - NIGHT

    The camp settles into silence as a wolf howls in the distant woods.

  5. U049EXT. CAMPSITE - DAY

    An unidentified hand slashes the sleeping tent before Jessica returns singing, senses someone in the trees, and continues into the mess tent alone.

  6. U050EXT. CAMPSITE - EARLY EVENING

    Chris is the first worker to return to camp at early evening and enters the mess tent.

Day strategy

First-pass schedule from Wil's partial draft; AD to verify page eighths, availability, company moves, daylight and weather cover.

Production considerations

Decisions and preparations that need an owner before this shoot day.

AD review
Safety and logistics
  • Current cuesFrench and Ojibway language review; darkness and lamps; dusk; food and allergens; generator; grief and emotional content; heavy lifts; isolated actor; knife action; remote camp; remote night; river proximity; rope and overhead food hang; slurs and cultural humour review; song clearance; tent slashing; tents; unidentified figure; wildlife sound
  • Schedule verificationConfirm cast availability, address, company moves, daylight, weather cover and call times.
Shoot Day 6Mon Aug 24

Claim Camp - block B

Monday, August 24, 2026 - 6 scenes - 9 3/8 estimated script pages

What we are filming

Cover the current Wil-rewrite material grouped around Claim Camp - block B. All scene units below come from SCR-004.

Scenes and production details

Scenes filming today

  1. U051INT. MESS TENT - DAY

    As the crew returns, Pierre brings in a dinner triangle and vents about Chris in French; Pete reviews each team's progress, calls Sam and Susie back, and assigns evening camp tasks before leaving again.

  2. U052EXT. CAMPSIGHT - DUSK

    Pete gets a flashlight from his truck, notices that something is missing, and heads alone into the woods at dusk.

  3. U054EXT. CAMPSIGHT - NIGHT

    Pierre splits firewood by lamplight outside camp.

  4. U055INT. MESS TENT - NIGHT

    In the mess tent, Sam sharpens an axe while Jessica assembles lunches and tells Jacques in French that Pete is grieving the person he hoped to marry.

  5. U057INT. MESS TENT - NIGHT

    Gabe returns to the mess tent, warns Sam of bad weather, speaks Ojibway, and exchanges a joke with Jacques through Jessica's translation as thunder arrives.

  6. U058EXT. CAMPSIGHT - NIGHT

    Rain begins over the sleeping camp at night.

Vehicles
Pete's truck
Day strategy

First-pass schedule from Wil's partial draft; AD to verify page eighths, availability, company moves, daylight and weather cover.

Production considerations

Decisions and preparations that need an owner before this shoot day.

AD review
Safety and logistics
  • Current cuesFrench language; French language review; Ojibway and French language review; axe and firewood; axe sharpening; axe use at night; cultural review; dusk; dusk and low light; grief disclosure; hostility and slurs; night rain; open flame or lamp; remote camp; remote woods; thunder and lightning; vehicle continuity; wet camp surfaces
  • Schedule verificationConfirm cast availability, address, company moves, daylight, weather cover and call times.
Shoot Day 7Tue Aug 25

Claim Camp - block C

Tuesday, August 25, 2026 - 6 scenes - 2 1/2 estimated script pages

What we are filming

Cover the current Wil-rewrite material grouped around Claim Camp - block C. All scene units below come from SCR-004.

Scenes and production details

Scenes filming today

  1. U059EXT. CAMPSIGHT - MORNING

    Morning reveals a soaked camp and large slash marks through the girls' sleeping tent.

  2. U060INT. MESS TENT - MORNING

    Sam is startled by Susie and Jessica in the mess tent and learns that they slept there because their tent was slashed.

  3. U061EXT. CAMPSIGHT - MORNING

    Sam steps outside and sees Pete leaving his truck after another night sleeping in it; Pete heads to breakfast in the rain.

  4. U067EXT. CAMPSITE - DAY

    Jessica drains water from the tents, inspects the slash damage, and senses an unseen observer who darts away.

  5. U070EXT. CAMPSITE - LATE AFTERNOON

    As darkness arrives early, water runs out from beneath the mess tent's plywood floor.

  6. U071INT. MESS TENT - LATE AFTERNOON

    Pete returns to the mess tent as an unspecified group is already discussing the worsening situation; the formatted screenplay stops at this beat.

Day strategy

First-pass schedule from Wil's partial draft; AD to verify page eighths, availability, company moves, daylight and weather cover.

Production considerations

Decisions and preparations that need an owner before this shoot day.

AD review
Safety and logistics
  • Current cuescontinuation and other participants unresolved; damaged shelter; darkness; flooding; hot coffee; isolated actor; property continuity; rain; rain and slippery ground; sleeping-in-vehicle continuity; slippery surfaces; unseen observer; wet camp; wet platform and trip risk; wet tent interior
  • Schedule verificationConfirm cast availability, address, company moves, daylight, weather cover and call times.
Shoot Day 8Wed Aug 26

Woods / Bad Bush

Wednesday, August 26, 2026 - 7 scenes - 5 1/4 estimated script pages

What we are filming

Cover the current Wil-rewrite material grouped around Woods / Bad Bush. All scene units below come from SCR-004.

Scenes and production details

Scenes filming today

  1. U002EXT. WOODS - DAY

    Pete finishes a claim section alone, cuts off Sam's radio call, marks the completed square on his claim map, and keeps working.

  2. U003EXT. WOODS - WHEREVER SAM IS

    Sam realizes Pete has cut off the radio, gathers his equipment, and heads south to finish the job.

  3. U039EXT. WOODS - MORNING

    After a quick breakfast, the four staking pairs leave camp with tools and radios for their first full workday.

  4. U042EXT. THE BAD BUSH - DAY

    Chris cuts through dense bad bush and criticizes Pierre's tag work as their pairing begins to fray.

  5. U044EXT. THE WOODS - DAY

    Across the woods, Jessica calls the four teams by radio for lunch while Pete tries to keep the channel clear for emergencies.

  6. U047EXT. THE BAD BUSH - DAY

    During a break in the bad bush, Pierre offers Chris a hand-rolled cigarette; Chris rejects it and lights his own.

  7. U065EXT. THE BAD BUSH - DAY

    In the rain-soaked bad bush, Chris grabs a claim tag from Pierre after Pierre struggles to tie it, deepening their conflict.

Vehicles
None detected - verify
Day strategy

First-pass schedule from Wil's partial draft; AD to verify page eighths, availability, company moves, daylight and weather cover.

Production considerations

Decisions and preparations that need an owner before this shoot day.

AD review
Safety and logistics
  • Current cuescutting tools; dense bush; difficult footing; dispersed teams; emergency-flare reference; insects; interpersonal hostility; radio check-ins; radio isolation; radio protocol; rain; remote bush; remote teams; remote woods; smoking and ignition source; staking tools; tool handling
  • Schedule verificationConfirm cast availability, address, company moves, daylight, weather cover and call times.
Shoot Day 9Thu Aug 27

Field / woods pickups

Thursday, August 27, 2026 - 6 scenes - 2 5/8 estimated script pages

What we are filming

Cover the current Wil-rewrite material grouped around Field / woods pickups. All scene units below come from SCR-004.

Scenes and production details

Scenes filming today

  1. U040EXT. FIELD - DAY

    Sam patiently teaches Susie as they begin staking across a large field.

  2. U045EXT. FIELD - DAY

    Jessica carries a portable lunch setup to Sam and Susie, cooks grilled cheese, jokes with them, and returns to camp to make dinner.

  3. U053EXT. WOODS - NIGHT

    Night overtakes the woods after Pete leaves camp.

  4. U062EXT. THE WOODS

    Continuous rain establishes the woods for the next workday.

  5. U063EXT. THE FIELD - DAY

    Sam and Susie carry gear through the field and decide that wet ground is a reason to pound stakes rather than stop working.

  6. U069EXT. THE WOODS - AFTERNOON

    Rain continues over the woods into the afternoon.

Vehicles
None detected - verify
Day strategy

First-pass schedule from Wil's partial draft; AD to verify page eighths, availability, company moves, daylight and weather cover.

Production considerations

Decisions and preparations that need an owner before this shoot day.

AD review
Safety and logistics
  • Current cuesfield terrain; food and allergens; heavy rain; low visibility; night woods; portable stove and hot surfaces; rain; remote woods; stake driving; staking tools; wet ground
  • Schedule verificationConfirm cast availability, address, company moves, daylight, weather cover and call times.
Shoot Day 10Fri Aug 28

River / Moraine Trail

Friday, August 28, 2026 - 8 scenes - 6 3/8 estimated script pages

What we are filming

Cover the current Wil-rewrite material grouped around River / Moraine Trail. All scene units below come from SCR-004.

Scenes and production details

Scenes filming today

  1. U041EXT. THE RIVER - DAY

    Gabe and Jacques work a river claim line while Gabe demonstrates a faster way to tie tags.

  2. U043EXT. THE MORAINE TRAIL - DAY

    While working the moraine, Billy questions Pete about Sam and family; Pete insists the company will eventually be independent.

  3. U046EXT. THE RIVER - DAY

    Gabe and Jacques silently trade sandwich halves during a shaded riverbank lunch.

  4. U048EXT. THE MORAINE TRAIL - DAY

    Billy toasts sandwiches on a cook kit while Pete works, then Pete warns Billy not to pursue Jessica and orders him back to work.

  5. U056EXT. THE MORAINE TRAIL - NIGHT

    Pete sits alone on the moraine trail at night while Jacques and Jessica's off-screen conversation reveals that Pete and Jen had planned marriage and children.

  6. U064EXT. THE RIVER - DAY

    Gabe and Jacques continue working beside a fast, rain-swollen river.

  7. U066EXT. THE MORAINE TRAIL - DAY

    Pete pushes harder through the rain on the moraine while an exhausted Billy struggles to keep pace.

  8. U068EXT. MORAINE TRAIL - DAY

    On the moraine, Billy finally confronts Pete about sleeping in the truck and grieving Jen; Pete says he needs the contract and wants out from under Sam, then shuts the conversation down.

Vehicles
None detected - verify
Day strategy

First-pass schedule from Wil's partial draft; AD to verify page eighths, availability, company moves, daylight and weather cover.

Production considerations

Decisions and preparations that need an owner before this shoot day.

AD review
Safety and logistics
  • Current cuesaxe and staking tools; axe and tools; emotional confrontation; fast river; fatigue; food and allergens; grief content; heavy rain; low visibility; night rocky terrain; portable cooking and open flame; rain; river access; riverbank access; rocky terrain; slippery rocks; staking tools; water access; water safety
  • Schedule verificationConfirm cast availability, address, company moves, daylight, weather cover and call times.
Version and source
Script source
Wil rewrite SCR-004, formatted screenplay pages 1-67
Ending status
Pages 68-72 are working ending notes and still require finished screenplay scenes
Schedule
Ten shoot days from August 17-28, 2026; August 22-23 protected off
Working status
Page eighths, addresses, call times, company moves and daily execution require AD and producer confirmation
Scene facts
All 71 formatted-scene summaries, cast tags, props, vehicles and risk cues were checked against Wil's PDF; unresolved items are labelled